The National School of the Arts came alive this past Saturday as the Standard Bank Joy of Jazz Festival marked its 25th anniversary with a bold, future-facing celebration: #JazzForYoungPeople.
This year’s edition was more than a curtain-raiser—it was a cultural handover. The event was hosted in collaboration with the Gauteng Department of Education and the Schools of Specialisation programme, spotlighting an emerging generation of artists whose skill, discipline and originality challenge outdated assumptions about South African youth and the future of jazz.


Schools featured included:
East Rand School of the Arts
National School of the Arts (NSA), the host institution and creative anchor of the event
Willow Crescent Magnet School of Music
Khutlo Tharo School of Specialisation
Springs Boys High School
Each brought a different musical lens to the showcase—from orchestral precision to township swing, and from quiet solos to marimba thunder. The Sibikwa Marimba Band added a vibrant sonic texture, interviewed live on-air by SAfm Radioduring a special broadcast of The Soundtrack of Life with Ernest Pillay.
The mood was expansive: open-air laughter, tactile art exhibitions, live music bleeding into casual conversation, and families moving between jazz sets and curated workshops at the Standard Bank activation zone. The activation blended financial literacy with accessible creativity, reinforcing the message that economic participation and artistic expression are not mutually exclusive.
Across social media, #JazzForYoungPeople trended nationally, with the public celebrating a programme that delivered excellence without gloss or gimmick. @JoyOfJazz captured it succinctly: “Jazz, joy, and youthful vibes. A day filled with soul and sound.”


The accompanying visual art exhibition at NSA echoed the musical energy in form and colour. Jazz-inspired artworks, conceptualised and created by learners, lined the school’s halls—some abstract, others grounded in township and diasporic references, all unmistakably crafted through young eyes.
Critically, the event reaffirmed why arts education matters. Not only did it offer learners a national platform, it did so through rigorous public investment, stakeholder partnership, and a clear commitment to embedding creativity in the formal education system. As the Gauteng Provincial Government continues to champion programmes like the Schools of Specialisation, the outcomes are becoming harder to ignore.
This wasn’t a polite pat on the back. It was a statement: Gauteng’s young artists are ready, trained, and delivering.







